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The study of French Basse Dance was initiated by musicologists. This was because little progress could be made until they had solved the riddle of the fifteenth-century Basse Dance tunes in equal notes. From a musicological point of view, Basse Dance in the fifteenth century and Basse Dance in the sixteenth century, as so far known, are worlds apart, and it is hardly surprising that they came to be treated for the most part as separate topics. . . .
Evidence for the steps of these dances is a great deal more abundant than that for the music, and it tells a different story. The development of French Basse Dance can be traced through five main phases from c. 1445 to the end of the sixteenth century. There are indeed gaps in this chronicle, but no major hiatus at the beginning of the sixteenth century to match that seen in the musical evidence. We believe it is more than time to bring all the relevant documents together and so to look at Basse Dance as a whole.
From the Preface
- Sales Rank: #2265908 in Books
- Brand: Brand: Pendragon Pr
- Published on: 2012-05-15
- Original language: English
- Dimensions: 11.25" h x 8.75" w x 1.25" l, 2.55 pounds
- Binding: Hardcover
- 311 pages
Features
- Used Book in Good Condition
Review
The newest addition to the outstanding Pendragon Press 'Wendy Hilton Dance & Music' series, "The Basse Dance Handbook, Text and Context: Seventeen Original Sources" transcribed and compiled by the late David Wilson and with informed commentary by Veronique Daniels, stands unique in the annals of academia. This 311-page compendium comprises major chapters providing an introduction and summary, addresses the social context of the French Basse Dance, provides a review of the sources, and offers informed conclusions on the structure of the Basse Dance, observations on other contemporary French dance forms, and comparison with fifteenth-century Italian Bassadanza. Enhanced with appendices on its name, instructions on its performance, 'The French Basse Dance in Art', and 'Two Contracts', as well as a bibliography and an Index, "The Basse Dance Handbook" is a seminal work of superb scholarship and a core addition to academic library European Dance History reference collections and supplemental reading lists. --James Cox, Midwest Book Review
Basse Dance of France and neighboring countries during the 15th and 16th
century is known from 17 contemporary documents containing choreographies and
sometimes other technical details. All of them are presented here, to provide
the first single-volume reference to Basse Dance. Each document is transcribed
and supplied with a bibliography, introduction, translation and commentary, and
a statistical summary of the composition of its choreographies. The emphasis
is on the dance itself rather than the accompanying music, which has been
studied extensively by musicologists. The names of all dances descibed or
mentioned are indexed. --Eithne O'Leyne Editor, Book News Inc.
About the Author
David Raoul Wilson October 30, 1932 - August 6, 2006 David Wilson had three highly distinguished careers, as Roman archaeologist, air-photographer and, finally, as dance historian. In the first, he worked with Professor Sir Ian Richmond preparing a new edition of R. G. Collingwood s classic The Archaeology of Roman Britain (1930). In the second, he joined Kenneth St Joseph at the Cambridge University Committee for Aerial Photography where he established the National Association of Aerial Photographic Libraries. Here his prime publication was Air Photo Interpretation for Archaeologists (1982, 2000). Marriage to Elizabeth Wallwork in 1980 brought him into contact with historical dance and, with typical enthusiasm, he turned his mind to research in this fascinating topic. He was soon an active member of the Early Dance Circle (EDC) and the Dolmetsch Historical Dance Society. David was instrumental in setting up EDC s National Resource Centre for Historical Dance and catalogued their substantial archive library. As a dance historian, he published extensively, particularly transcriptions and analyses of original 15th-century texts, which, yet again, gained him a world-wide reputation. In 2006, the EDC awarded him the Peggy Dixon Trophy for outstanding service to historical dance. Sadly, he did not live to see the publication of this his final magnum opus.
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